Woodstockhausen

Woodstockhausen

Saturday, September 19, 1998, 8 PM

Have you ever heard music in bird song, the clatter and chatter of a professional Chinese kitchen, the shriek of tearing metal, the laughter of children, the abstract interplay of cascading sine waves, the relentless outward march of evolution, wind chimes, or the gurgles and squirts of an upset stomach? Then this may be your opportunity to share...

Woodstockhausen will be an open, intimate and informal gathering and Bacchanalia of composers, poets, visual artists and friends in the redwoods in the Santa Cruz mountains, on Saturday, September 19, 1998, at 8 PM. It's a non-profit thing, and attendance is free. The goal is to provide a venue for obscure music and a deadline for those of us who fail to produce without one! We would love to have more compositions, and to have help organizing the show! If you're interested, read on.

Where will the concert be?
What should I bring to the concert?
How can I get my piece in the concert?
What formats of compositions are accepted?
How can I help organize the show?
What about visual installations?
How do I get on the organizational e-mail list?
Whose silly idea was this, anyway?


How can I get my piece in the concert?

It's pretty simple, really. Send e-mail to Doug Cook, with the following information:

  1. Your name and a little bit about yourself (eventually we'll want a bio for the concert program...)
  2. A brief description of the piece or pieces
  3. An estimate of the length of the piece(s)
  4. Your prioritization of the pieces, in case we have to limit the number of pieces performed
  5. The format and technical requirements for the pieces
You will also need to join the organizational e-mail list to get updated on important information regarding the show. Finally, if we can get the actual piece (whoa, imagine that!) in advance of the show, it will help us put together the program. But if you're like some of us, and will be pulling all-nighters just before the show, putting the finishing touches on things, don't worry; we'll save a slot for you...


What formats of compositions are accepted?

As far as the type of music, it's open. You might correctly surmise from the name "Woodstockhausen" that we have a bent towards avant-garde electronic music. We offer no guidelines for content other than "weird is wonderful", "arcane is cool," "taste is relative," and "please, don't burn the place down."

As far as the physical formats are concerned:


How can I help organize the show?

We could really use your help! There are a lot of jobs, from small to large, that we could use help with. Look at the following tentative list of jobs, decide if one sounds fun, and then join the organizational e-mail list.

Tentative List of Jobs
Program Director:
Works with all the composers to figure out what their needs are, and puts together the program. Volunteer: Doug Cook
Stage Manager:
MC's the show, puts together the stage space with the TD & LD. Volunteer: Wayne Jackson
Consumables Director:
Responsible for food & beverages.
Technical Director:
Responsible for sound system design, installation, operation. (May need an assistant TD as well). Volunteers: Alan Peevers & Jean-Marc Jot
Lighting Director:
Responsible for lighting design, installation, operation. There have been calls for video equipment as well, so this may fall under TD or LD -- whoever wants to take care of that. (May need an assistant LD as well). Volunteer: Duane Ford
Art Director:
We could use some graphics: like a logo for the web page, the programs, etc.
Parking Manager:
Figures out the parking situation.
Shuttle Drivers, Parking attendant.
We will likely need some of these. Parking is very scarce up at Wayne's house (it's on one of those tiny little roads winding up into the redwoods -- really beautiful out there!)


What about visual installations?

We have a couple of folks doing visual installations at the show, and we're excited about that. We're still working out the details of how to project video into the redwoods, and what the power, space & cost issues of video are. If you've got some cool visuals you want to bring, let us know, and we'll try to figure out how to make it happen...


How do I get on the organizational e-mail list?

Send e-mail to <emusic-request@candiru.com> with the word SUBSCRIBE on a line by itself in the message body. This will automatically add you. The list itself (not to be used for subscription/unsubscription!) is <emusic@candiru.com>.


Where will the concert be?

On Wayne Jackson's property in the redwoods in Boulder Creek:
200 Buena Vista Ave
Boulder Creek, CA 95006

NOTE that there is very little parking at this location. PLEASE carpool if possible. We'll try to work out parking details and shuttles closer to the show date. Please also try to arrive early so that the concert itself is not interrupted by the passing and parking of cars.

The esteemed Mr. Jackson writes:

My best advice for finding this location is to use Yahoo's map services which will give you a precise position and let you choose your own shortest route. Otherwise, you may attempt to use the following tortured directions:

From San Francisco:
South on 280
-> South on Hwy 85
-> South on Hwy 17 (toward Santa Cruz)
-> Exit Bear Creek Road, left at stop sign
-> Long (~26 miles) winding drive to end of Bear Creek Road
-> Right turn onto Hwy 9, ~2 miles
-> Right turn onto "Two Bar Road", ~0.5 miles
-> Left turn onto Buena Vista Ave --> #200

From Santa Cruz:
North on Hwy 9 (or Graham Hill, if you know what you're doing)
-> Pass through Felton, Ben Lomond, Boulder Creek
-> Approx 2 miles from stop sign in Boulder Creek
-> Right turn onto Hwy 9, ~2 miles
-> Right turn onto "Two Bar Road", ~0.5 miles
-> Left turn onto Buena Vista Ave --> #200


Whose silly idea was this, anyway?

This is the harebrainchild of a group of friends who studied electronic & computer music together at UC Davis, notably:

Doug Cook: drummer, clarinetist, bass clarinetist, part-time composer, software engineer at Inktomi and formerly an audio software engineer at Silicon Graphics. (Note how I avoid any superlatives here, since I'm writing this; I get to say really nice things about my cohorts, though).

Wayne Jackson: cooks amazing spicy food (ask about the Habanero Death Paste); the first of us to jump into the Real World by getting married, buying a house, and having a kid (Nainoa Marslander); keeps chickens as pets; once the electronic music studio manager at the UCD Department of Music; now employed at E-Mu systems, making toys for the rest of us.

Mike Pukish: a brilliantly demented mind. One of the most wonderfully weird people we know. His stream of consciousness has some very strange shiny purple fish swimming in it. He wouldn't say this, because he's too humble, but he's very good drummer, a talented composer, and a joy to hang out with. Works these days at Berkeley doing weird things to radio telescopes, or something like that...

Brian Salter wowed us all again when came up with the name Woodstockhausen. He's a very talented composer and sound designer, with many credits to his name. Visit his web site to learn more about him.


What should I bring to the concert?